11/27/2022 0 Comments Latimes sudoku![]() ![]() It almost doesn’t matter what these two guys are talking about. #LATIMES SUDOKU MOVIE#Though shot mostly on one small interior set - with fake rain and sound effects establishing some atmosphere - this movie is utterly absorbing. Nevertheless, this film is a superior example of how flavorful dialogue, talented actors and excellent staging can make something familiar really pop. In the case of “Old Man,” there are supernatural elements woven into what is a very talky, largely predictable psychodrama. Their movie resembles one of those super-psychological mid-20th century stage plays exploring problematic masculinity via a combination of absurdism, metaphor and hyper-realism. “Old Man” director Lucky McKee and screenwriter Joel Veach don’t have especially startling answers to these questions. Why did Joe feel compelled to come to this particular cabin? And exactly how long has this old man been living here? But throughout the long evening, it’s clear something is off-kilter. A contentious conversation ensues between the two, before they eventually settle into a calmer chat, swapping stories about their lives and explaining why they each disappeared into the wilderness. One rainy night in the Smoky Mountains, a polite young man who calls himself Joe (Marc Senter), disoriented and lost, knocks on a cabin door and finds a cantankerous elderly hermit ( Stephen Lang). Available on Shudder also playing theatrically, Laemmle Glendale ‘Dark Glasses.’ In Italian with English subtitles. They’re about how the world sometimes seems unknowably mysterious, in ways both dangerous and awe-inspiring. ![]() The great Argento films were never just about titillation and blood-spatter. Still, there are set pieces scattered throughout “Dark Eyes” that are as strange - and as strangely beautiful - as the best of Argento, starting with an unnerving opening sequence that sees a group of people in a park gazing at a solar eclipse. Much of the film is about Diana’s friendship with a young orphan, Chin (Xinyu Zhang), who helps her overcome the trauma of her assault and becomes her eyes as they try to escape the killer. “Dark Glasses” isn’t a delirious masterpiece like his “Suspiria” or “Tenebrae.” It’s a modestly scaled and at times unusually relaxed character study - never especially intense or shocking. Their peers and parents do just fine.Īrgento fans should also temper their expectations, though. It doesn’t take a slasher to turn a kid’s life into a horror show. But Pereda and her crew maintain an artful approach throughout, with stark lighting that keeps the focus on faces and bodies, showing how all these characters - not just Sara - are vulnerable to abuse, both physical and emotional. ![]() In its final third, “Piggy” takes a turn toward horror, with scenes of torture and gore as Sara tries to exact some justice. But she also wants us to understand that this movie is ultimately about how complicated the situation is for Sara. Pereda never wants the audience to become too glib about what might be happening to the abductees. But she’s accustomed to being ignored or misunderstood and the longer she goes without telling anyone what she saw, the harder it becomes to say anything at all. But those kids are jerks, and she wouldn’t mind if she never saw them again.Įxpanded from an award-winning short film, “Piggy” is a masterful mix of dark comedy, social commentary and raw suspense. ![]() She should run immediately to the police. After getting teased mercilessly about her weight by the girls at a public pool, Sara sees her bullies violently abducted by a stranger who treated her with kindness. Early in writer-director Carlota Pereda’s twisty thriller “Piggy,” a teenager named Sara (Laura Galán) is faced with a dilemma. ![]()
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